Showing posts with label horror movie. Show all posts
Showing posts with label horror movie. Show all posts

Saturday, October 2, 2021

The Unholy (2021)

 * The Unholy (2021)


* spoilers *

Alice, a young girl who is both deaf and mute, can miraculously hear and speak, in addition to having visions of Mary. Disgraced journalist Gerry Fen stumbles onto the case and turns out to be the only one Alice will speak with. He sees this as an opportunity to regain his former glory while she just wants to foster belief in Mary. Many flock to Alice for miraculous healing but only after promising to believe in and pledging themselves Mary. Her following grows incredibly large before anyone starts to question the identity of Mary.


The Unholy has an interesting concept and good actors, but falls flat in the creature and its design. I'm not a usual fan of religious horror, but this hits my wheelhouse as an ex-Catholic critical of the church. It's assumed that Mary is the Virgin Mary, but she definitely is not. Her backstory as a witch rightfully burned by the church isn't my favorite, but the wider implications of her being evil made me enjoy this film way more than I expected. The Catholic Church enjoys the great amount of attention and money that comes with Mary and ignore anything that stands in their way. Seems about right. Cary Elwes plays the Catholic authority figure, Bishop Gyles, who at first seems pious and gentle only to be exposed as an opportunistic charlatan. 

Jeffrey Dean Morgan is excellent at being a charming, sympathetic character despite any flaws and Gerry Fen is no different. At the start, Gerry is an alcoholic clamoring for any fragment of a story to sell no matter how small to the least credible magazine ever. He unwittingly creates this story by destroying an old doll he finds in a field. Once he meets Alice, he takes an interest in her and prioritizes Alice's needs over his own greed and drive to return to his rightful place in his career. To foil Bishop Gyles, he goes from someone willing to do anything to earn some money to someone willing to tank their newfound fame to save an innocent girl and the world.


Where The Unholy stumbles is with Mary herself. Her backstory aside, she's a CGI creature that isn't very detailed and just looks bug-eyed and strange. Every scare involving her fell flat and since she's the main antagonist, the horror elements are lacking. I don't understand why she couldn't have been portrayed by an actual person with makeup or practical effects or CGI enhancements. 


The Unholy is a surprisingly decent religious horror movie that doesn't view the church or its acolytes as heroes or saviors. Normal people doing the right thing are the heroes. I would love more in the subgenre along this vein. If it were a drama, it would have been more memorable, but the horror elements are forgettable and not scary outside of some cheap jumpscares. It's worth a watch, but I wouldn't buy it. 

My rating: 3.5/5 fishmuffins

Friday, October 1, 2021

Franchise Marathon: Friday the 13th Part VII: The New Blood (1988) and Friday the 13th Part VIII: Jason Takes Manhattan (1989)

 * Friday the 13th Part VII: The New Blood (1988)


* spoilers *

Tina Shepard after her telekinetic abilities emerged years ago resulting in the death of her abusive father by Crystal Lake. Now a teenage, she is struggling with guilt and her mental health. Her psychiatrist prompts her and her mother to move back to the lakeside cabin as a way to access her powers, but she ends up awakening Jason Vorhees who was left chained at the bottom of the lake. The partying teens next to Tina's cabin don't stand a chance.


The New Blood is one of my favorite of the franchise. It stops trying to make sense or be plausible in the world and just has fun. Tina is an amazing character and it's nice to have a final girl again with the back and forth of Tommy's state as victim/hero or villain. I feel for Tina and immediately felt for her when she was verbally abused by Dr. Crews, the dubious psychiatrist. She of course falls for  Nick, which causes a bunch of teen drama next door. 


Jason is a full fledged zombie in this installment, revealing a horrific, rotted face. His kills are fun with some unique weapons and his fight with Tina is a welcome change to the slasher formula. Another change is the secondary villain in Dr. Crews. He was awful from his very first scene and even used a teen as a human shield to save himself. Usually the secondary villains are well meaning police, so it's nice to have a true human villain to go against both Tina and Jason. It's disappointing that Tina never returns in subsequent installments, but this is top tier in the franchise. 

My rating: 4/5 fishmuffins 

* Friday the 13th Part VIII: Jason Takes Manhattan (1989)


Jason is back! He is resurrected on Crystal Lake where the SS Lazarus happens to be leaving with the senior class of Lakeview High School. Most of the teens are more concerned about drugs, having sex, and blackmailing the chaperons, but Rennie is more concerned with her aquaphobia. As Jason slices and dices through the distracted teens, Rennie and her boyfriend Nick try to save everyone before it's too late.


You might wonder why this is called Jason Takes Manhattan at all since it's essentially Jason on a cruise ship. Apparently actually filming the whole movie in Manhattan would have been too expensive, so only the ending has the iconic scene with Jason in Times Square.  The title is super misleading and it's no wonder why so many don't like this installment.


The cruise ship part is actually better than I expected. The kills are still fun, a mainstay in the series. However, the destined to die teens are flimsiest, most unlikeable characters that feel more like parodies of teens. Even with all its flaws, it's a fun, cheesy film perfect for movie nights with friends. It's not the greatest in the series by far, but worth a watch. 

My rating: 2.5/5 fishmuffins

Friday, September 3, 2021

Franchise Marathon: Friday the 13th: A New Beginning (1985) and Friday the 13th Part VI: Jason Lives (1986)

 * Friday the 13th: A New Beginning (1985)


* spoilers*

Tommy Jarvis has spent years in a mental institution dealing with the trauma of Jason Voorhees' murders. He finds himself transferred to Pinehurst Halfway House to live with more freedom among other troubled teens. They are hated by their neighbors, but Dr. Letter, the manager, seems to believe in rehabilitating his charges. One of the teens is murdered by another in a fit of rage, leading to more scrutiny and disapproval of the program. The murderer is arrested, but more murders follow with Jason's usual methods. 


A New Beginning starts out fresh with a different feeling from the other films. Troubled teens work and learn skills that will help them reacclimate to society. Sounds great until one of the charges kills another gruesomely and with no warning. That caught me completely off guard and I had no idea what to expect going forward. It felt a bit like Nightmare 3 with mismatched misfits that you can't help but like despite their flaws. They all suspect each other when the murders continue. Tommy is the unfortunate newcomer who hasn't had a chance to form attachments. He doesn't say much and continues his childhood love of monsters by creating his own incredibly detailed masks. I felt for him throughout the movie. 


I appreciate when a franchise tries to break away from its main character (like Halloween III), but it just doesn't work here. The rest of the movie after the initial kill is fairly familiar and formulaic. The ending isn't as fresh as its beginning and feels like a bad Scooby Doo episode with a tacked on ending, again making it seem like Tommy will hurt people. Perhaps it was an idea to have him continue as Jason, but it was obviously scrapped in the end. 

My rating: 2.5/5 fishmuffins

* Friday the 13th Part VI: Jason Lives (1986)


Tommy Jarvis is back and recently released from a mental institution after he killed Jason years ago. He finds Jason's body and accidentally resurrects the body when trying to destroy it. Now, he's frantically trying to warn the former Camp Crystal Lake (now Camp Forest Green) residents about Jason, but Sheriff Mike Garris dismisses it as hallucinations from a disturbed mind. Only his daughter Megan believes Tommy and of course falls in love with him. As the body count rises, Garris blames Tommy and Jason is dismissed as an urban legend, leaving him free to slaughter.


Jason Lives is a fun installment to the Friday the 13th franchise. It has everything: super cheesy acting, a sappy love story (based on a very short, shallow relationship), and fun kills. Tommy Jarvis has turned into the Nancy Thompson of the franchise, hellbent on defeating Jason once and for all while no one believes him. The writers had to retcon the end of the last movie to get him there and I think it was a good decision.


Jason is explicitly supernatural for the first time, resurrected by electricity like Frankenstein's monster and trapped by his home soil like a vampire. It took a while, but this installment finally puts Jason in his own category instead of being a cheap copy of another slasher killer. It's so fun to watch him slice and dice through unsuspecting corporate workers and other bystanders. This is the first time we see the camp actually functional and Jason only kills counselors, not the children. Overall, Jason Lives is heavier on the comedy side and just fun to watch. 

My rating: 3.5/5 fishmuffins

Sunday, December 13, 2020

Franchise Marathon: Friday the 13th (1980) and Friday the 13th Part II (1981)

 * spoiler warning *

* Friday the 13th (1980)


After years of being closed and abandoned, Camp Crystal Lake is set to open or new campers in 1980. Crazy Ralph tries to warn people away, but everyone ignores him and Unfortunately, an unseen killer keeps killing the counselors before the camp even opens. Will any of the them survive?


Friday the 13th is honestly my least favorite of the big 4 horror franchises, but I realized that I've only seen a few of the movies and may be judging it too harshly. Thus this exploration through the whole series. Alice is an excellent final girl with sense and a practical nature. However, the road the finale was arduous. After the initial exposition dump, the movie plods along and even the kills aren't that interesting until Pamela Voorhees shows up. Her mania and love for her son truly shine through as she's revealed to be the killer. She's one of the most iconic cinematic female serial killers and Betsy Palmer delivers an amazing, campy performance. The ending on the lake haunts me from childhood and rings a bit melancholy, knowing that Jason was a neglected, innocent little boy.


The first film didn't wow me and the pace made the relatively short runtime feel much too long. Pamela Voorhees and final girl Alice set themselves apart in this mostly forgettable start. The music feels underdeveloped, but the main themes (reused many many times) are iconic. Overall, it's a disappointing experience with some bright spots.  

My rating: 2/5 fishmuffins

 

* Friday the 13th Part II (1981)

                                     

Five years after the Camp Crystal Lake Massacre, a group of counselors hold a training camp near the defunct, notorious crime site, where they mostly get into typical shenanigans like trespassing on Camp Crystal Lake, drinking, having sex, and doing drugs. This doesn't sit well with Jason, who sets out to kill all the camp counselors and punish them for their immoral behavior in honor of his mother.

Friday the 13th Part II is a vast improvement over the first which dragged and had no suspense up until the end with Mrs. Voorhees. The mythology for the whole series is kind of wonky. Jason appears as he is most known, a hulking silent beast of a man. Instead of his signature hockey mask, he wears a bag over his head with only one hole to see out of. He dispatches teens with knives, a garrote, and his signature machete. The kills are decent and the the lead-up can be suspenseful. It was made with the awareness that the audience knows when kills are coming and still surprises at times. Most of the teens are interchangeable, but I was disappointed when Mark died. He seemed decent and was largely dismissed by everyone else because of his disability when he had big dreams and aspirations.


Ginny, the final girl, is the best character in the whole movie. First, she's a student in college studying child psychology. Unlike most final girls, Ginny has a boyfriend and it's implied that they have sex. She also drinks at a bar. It's interesting that this portrayal is more progressive than Texas Chainsaw Massacre 2 even though it was made 5 years later. Anyway, her psychology training gives her insight to Jason's mental state and it ends up saving her in the end. She puts on Mrs. Voorhees' sweater and pretends to be his mother, which buys her and her boyfriend much needed time.


Friday the 13th Part 2 is a decent sequel and much better than the first. Jason isn't my favorite slasher villain by far, but the movie was enjoyable. The ending has some inconsistencies that make me want to see the next movie if Ginny is in it. I doubt she is and I doubt they'll say what happened to Paul, but I can always hope. 

My rating: 4.5/5 fishmuffins

Sunday, August 23, 2020

Horror Movie Mini-Reviews: She Dies Tomorrow (2020) and Exhibit A (2007)

She Dies Tomorrow (2020)

https://drive.google.com/uc?export=view&id=1ROKpS4wlvPi2JJZwmeiVgifHdW70Xdj1

Amy is sure she's going to die tomorrow. Her friend Jane checks on her, only to also be consumed with the thought of dying tomorrow. After struggling to create some art and injuring herself, Jane goes to her sister-in-law's birthday party in her pajamas and passes along the thought to everyone. As it spreads, things spin out of control.

https://drive.google.com/uc?export=view&id=1IV7bUfEUDKoZjUnzScINgdjSQhpSIoCp

She Dies Tomorrow is a wonderful exercise in existential dread. How would you act if you knew with complete certainty that you would die tomorrow? Amy drowns her sorrows in booze and listens to dramatic music (Mozart's Requiem, the most dramatic music ever). Her boyfriend rages and destroys a room. Jane stumbles into her mean sister in law's birthday party in her pajamas. Others become brutally honest about their relationships or go to the doctor for help. People's behavior before and after the realization is completely different. Before, they seem relaxed and normal, but afterwards, becomes awkward and unnatural. The conversations afterwards are surreal and brutally honest.
 
https://drive.google.com/uc?export=view&id=1-5ESeVTZyhvP70GF_c49qqIkJ42d8chU

This film is bound to be divisive and of course prompt the tiresome "is it horror" debate. I found it viscerally uncomfortable and full of nihilistic dread. The performances are top notch and the visuals range from mundane to vibrant and abstract. She Dies Tomorrow is a memorable experience that doesn't follow established tropes.

My rating: 4/5 fishmuffins 

Exhibit A

https://drive.google.com/uc?export=view&id=1haq9WM0PW0Csa4D7Huccrls1unkhEci9

* major spoilers * 

The King family seems like any other. Judith is interested in photography and doesn't get along with her brother Joe, who's a bit of a jerk. The patriarch Andy is under pressure to get a promotion to alleviate their financial problems and move the family into their dream house. The promotion seems always on the horizon and their money problems worsen, especially after Andy decides to build a pool in the backyard. His behavior gets more and more erratic as time goes on, leading him to come home covered in blood one day. It's only the beginning of his spiral out of control.

https://drive.google.com/uc?export=view&id=1ouqU5EjIS7-LQcXItTFIt2nZlpHaO1bU

Exhibit A is a found footage movie marked right away as evidence. Most of the footage is taken by Judith documenting her family and her next door crush (which is actually invasive and creepy). Her father seems like a good-natured, sweet guy who care about his family. The truth comes out in small doses as Andy has mood swings, starts smoking, gambles compulsively, . The scene where Judith finds trash bags full of used scratchers is absolutely chilling. He tries to repeatedly assure the family everything is fine, but everything points to the opposite. The ending sequence is horrific to watch as Andy attempts suicide and Judith saves him tearfully. Instead of thanking her, he smothers her to unconsciousness and dispatches the rest of the family. 

https://drive.google.com/uc?export=view&id=1zSO53oofW25YMsdxKyhOQ_ZCbZAgJGW3

This film moves pretty slowly, but shows a complete picture of the family before the tragic end. Each of the family members is nuanced and harboring a secret of some kind. This is a fascinating fictionalized look at a family annihilator, a man who kills his entire family usually tied to their own failure, their desire to to start a new life, or perceived betrayals from their family members. I hadn't heard of Exhibit A before it got on Amazon Prime, but it's one of the most effective found footage movies without supernatural elements. 

My rating: 4/5 fishmuffins

Thursday, August 6, 2020

Amulet (2020)


Tomaz is homeless and haunted by memories of war until he meets a nun that gives him direction. He is brought to Magda's dilapidated home where she cares for her dying mother who is confined to the top floor. Over time, he helps them out, softens emotionally, and falls for Magda, but strange events keep happening surrounding her mother.

Amulet is an interesting movie that keeps its genre a mystery right up until the end of the film. We follow Tomaz and his story jumps around in his timeline. While he's awake, it's the post-war existence where he's much more hardened and haunted. While he sleeps, flashbacks to the war play out where he was a sentry at a pretty deserted location. He runs into a woman desperate to escape and he lives with her for a while. The present day timeline echoes the past with Magda and her situation trapped with her mother. In both scenarios, Tomaz falls for what he views as the damsel in distress (which ends up not being reality) and ends up showing his true colors in the end, a turn that I enjoyed. A lot of this part of the film feels more like a drama or romance, which I didn't always connect with. It also makes the film a little slower paced.

https://drive.google.com/uc?export=view&id=14inIopRgE-CrCt0icludJN328wXlpybj

The aspect that I especially enjoyed is the mystery around the mother, the creatures, and Tomaz's shaky mental state. The mother seems more than ill with preternatural strength and an overwhelming urge to kill herself to the point where they can't even use power in the house. She's horrifically violent to anyone within her reach and Magda takes care of her as best she can. Tomaz finds skeletal bat-like creatures in the plumbing that he's forced to kill. The practical effects of the creature and the mother look detailed, creepy, and delightfully disgusting. How they connect isn't explained until much later and it's pretty shocking. Tomaz also sees signs and figures appear and disappear, making him question his own sanity. I love mystery, cool creature designs, and questioning the main character's reality. 

https://drive.google.com/uc?export=view&id=1eCgVdKKch5zf9Cwi23SeBiqzE38kozG9

Amulet is completely different than I expected, skating a line between drama and horror before running headlong into the latter. The horror elements are well crafted and make big twists to the narrative. I wasn't on board with every development, but I had no idea where the story was going and the conclusion definitely surprised me. It was both incredibly disturbing and satisfying at the same time. I recommend Amulet if you aren't in the mood for something fast paced and are in the mood to be surprised.

My rating: 3.5/5 fishmuffins

Thursday, August 22, 2019

Pet Sematary (2019)


Louis Creed, his wife Rachel, and his two children Gage and Ellie move from a large city to a small town. Louis works in the university hospital and his wife takes care of the children. They get acclimated to their home and befriend the gruff neighbor Jud Crandall, but something is still bothering them. On their property lies a pet cemetery where local children ritualize their pet's deaths, but the real and very powerful cemetery lies beyond a barrier. When the family cat dies, Jud shows Louis this burial ground, but the cat is simply not the same anymore when it returns. Then tragedy strikes their family and Louis plots to do the same without looking at the grave consequences.


Pet Sematary is a flawed film that doesn't live up to the book or the original film for me. The family is adorable but their underlying issues aren't really established before anything happens. Rachel and her anxiety and trauma about her sister Zelda are without all the deeper implications of her fear of death and sickness. It's played only for jump scares. One of the best things about the book is the deep friendship between Jud and Louis, but here, it's like they don't even know each other, putting into question why Louis would even follow Jud at all. Even Ellie's relationship with Church seems surface level. When he becomes cruel and weird, she seems happy to be rid of him instead of heartbroken over the loss of her constant companion. Gage's precognition abilities seem to pop out of nowhere and only serve to get Rachel back to their house. The exposition is glossed over probably because it's a familiar story, but those deep relationships need to be established before things happen for it to mean anything.

** spoilers **


The best parts of the film are in the resurrection of Ellie and the ending with big caveats. Ellie's death scene is framed so much like the original with Gage running towards the street. It would have been a perfect twist to have Ellie die instead, but it was literally spoiled in the final trailer. The impact would have been so much more visceral if there was no mention of it at all and frankly ruined the effect of this twist on the story. Louis takes zombie Ellie and cares for her like he would any other child, bathing her, feeding her, and putting her to bed. These mundane tasks take on a tense and unnatural air because she's not the same. Little things remind Louis that she is dead like the brush tangling on the staples in her head. I loved how Gage's death is in your face with graphic descriptions of his decay and I was disappointed with how perfect Ellie looked in comparison. Having Ellie so decayed and disgusting would never be accepted in a film, so this was a good way to portray it. The ending is by far the best part of the film with Ellie making her parents into zombies (in record time) and converging upon a still living Gage locked in the car. The ending is so much more bleak and dark because Gage is like the last bastion of their previous lives.


Pet Sematary is an entertaining movie, but compared to the depth of the book (which I still had numerous problems with) and the original film, it just pales in comparison. The acting was fine, but John Lithgow as Jud felt completely wasted. The vast majority of problems occurred in the writing, especially in glossing over exposition to get to the scary stuff. The ending was unexpected at least. The best twist in the movie was unfortunately ruined in the trailer, so others should take note and not repeat those mistakes. The emotional impact of that scene would have been entirely different if it hadn't been plastered everywhere first. Overall, it was on ok movie, but it really felt short of what could have been.

My rating: 2/5 fishmuffins

Saturday, January 27, 2018

Mom and Dad


The Ryan's are a normal family with typical problems. Teenage Carly is defiant, abrasive as hell, and no longer confides in her mother. She fights with her little brother Josh, who is young and rambunctious. Parents Brent and Kendall mourn their lost dreams sacrificed to be parents and raise their family. Amidst their drama, something is making parents rage filled monsters whose only motivation is to kill their own children.


Mom and Dad is a crazy, over the top movie with a premise to match. The very first scene has a mother leave her car (containing her child) on the train tracks just before a train goes by. It's bold and tells the audience immediately what kind of film it is. Afterwards, the Ryan's are shown in their normal life with bickering kids and unfulfilled parents. Carly is an insufferable teen with nothing but disdain for her parents. She feels no guilt about stealing right from her mother's purse or saying purposefully hurtful things just to get a reaction. I felt a lot of sympathy for Brent and Kendall because society feeds people that the norm is having children. Both of them envisioned something else for their lives despite having conventional successes as a business man and a stay at home mom. They are unhappy and frustrated, a typical state for suburban parents. Both tried to do something to change up their lives (Brent built a pool table and Kendall tried to get her old job as a graphic designer back), but their attempts fail miserably.


The disease or contagion causing parents to savagely kill their children is never identified. Some random static appears on electronics preceding this behavior, but it's never said what it is or how it seems to affect anything technological. Parents' first instinct in an emergency is to find and protect their children. This contagion completely weaponizes this instinct. It starts out with come parents acting oddly at the high school, hovering outside of the SAT testing place and outside of the school. This behavior isn't completely strange because some parents actually do this on a daily basis (usually for smaller kids at the schools where I teach). Suddenly, the parents basically riot and physically fight anyone who gets in the way of them and their children. They act like killing their children is completely normal and otherwise act normally. The pandemonium following is gruesome and brutal. The child I felt most for was Carly's boyfriend Damon. His father is clearly an alcoholic that Damon has to care for. It's heartbreaking to watch Damon defend himself from and accidentally kill his father. The actions were necessary, but the result accidental.


Once Kendall and Brent are affected by the signal or disease, all hell breaks loose. Both parents go from struggling, unhappy, and exasperated to the happiest we see them in the movie since their teen years. Nicholas Cage is at his most extreme here and makes the film so much fun with how far he's willing to take the character. Before he's even infected, he destroys the pool table he built while screaming the Hokey Pokey. Afterwards, Brent and Kendall get along nicer than they have in years, united against their children. Kendall is slightly less insane and even has some fleeting moments of fighting the urge to kill. The last quarter of the film is a cat and mouse game with the kids trying to survive their parents' attacks that involve an infomercial saw, flooding the basement with gas, and a meat tenderizer. Apparently, all parents are affected, so Brent's parents also try to kill him. Lance Henricksen plays Brent's dad and almost matches Cage's insanity.


Mom and Dad is violent, insane fun. Some of the violent situations seemed a bit sanitized for my taste. If the filmmakers are going to touch on taboo subjects, they should be delved into instead of backed away from. The ending is abrupt and makes it seem like the creators either wanted a sequel or simply didn't know how to end the film. Carly makes a big transformation throughout the film to be a responsible human being, but I still found her parents to be more compelling characters. If there is a sequel, I'm first in line to watch it for Nicholas Cage alone. By itself, Mom and Dad is a darkly comic film that proves to stand out.

My rating: 4/5 fishmuffins

Saturday, October 28, 2017

Halloween Movie Mini-Reviews: Noroi the Curse and Jigsaw

* Noroi the Curse


This is a documentary style found footage movie about a paranormal expert named Kobayashi who disappeared after investigating a curse for his new documentary. His home was also burned down and his wife died in the fire. The film takes us through Kobayashi's journey delving into the mystery surrounding this curse that involves a quiet little boy, his offputting mother, and psychics.


Noroi the Curse is an insane movie. It has the tension and tone of The Wailing with the form of Lake Mungo. The pace is slow and deliberate, but I was on the edge of my seat for the whole thing. Kobayashi's uncertain fate and what happened to his home and wife is revealed at the beginning of the movie and then his incomplete documentary is shown. It starts with a small incident of a woman complaining of hearing odd sounds from her neighbor. The neighbor in question verbally attacks him and a small boy lives with her. However, the sounds are from babies when there aren't any babies there. The plot thickens when the neighbor moves away and the woman and her daughter die in a car crash right afterwards.


Kobayashi is dedicated to unravel this mystery and I was with him every step of the way. He, Hori (a seemingly crazy man), and Marika (a clairvoyant actress) serve as our envoys into this supernatural world beneath our own and make separate discoveries that create the full picture. The journey to discovering what is at the core of everything isn't simple. There are a lot of people involved and the plot weaves a complex web that delves into more depraved territory than expected. Noroi the Curse is much different than a lot of Japanese horror and takes a more subtle approach. The atmosphere is well built and maintained throughout. I highly recommend this unique film and it's a crime that it hasn't had a US release.

My rating: 5/5 fishmuffins

* Jigsaw


An elaborate game of death has been started and a team of medical examiners and police are trying to find out where it is before all the people die. This is another Saw movie complete with beyond shallow characters, a convoluted twist that falls apart under mild scrutiny, and mildy interesting deaths. The characters are all so badly acted that two of them may as well be interchangeable with exactly the same gruff demeanor and misogynistic comments. It killed me that the women they were talking to simply accepted the condescending treatment even in a crazy death game. Ugh. The cast feels small because somehow the suspects only include the people investigating the murders. The main suspect is Eleanor, a woman fascinated with Jigsaw and a collector of his past devices. Her whole look is one big nerd stereotype and drastically changes after her obsession is revealed.


So many things are logistical nightmares that fall apart if thought about with any focus. Like why would Jigsaw's grave be left open unattended for any time to be tampered with? Why does everyone assume in almost every movie that Jigsaw is back? Why isn't Dr. Gordon brought in at all after the final reveal in the last Saw movie? The kills are decent and the traps are ok. If the series is going to move forward, I wish they would focus more on fun, creative kills than pseudo-intelligent, convoluted twists. If you go in expecting a typical ridiculous Saw movie, you won't be disappointed. If you're expecting an actually good, coherent movie, you will be disappointed.

My rating: 2/5 fishmuffins

Thursday, May 11, 2017

Raw


* spoilers *

Justine, a lifelong vegetarian, goes to veterinary school where her sister already attends. She complies with her parents wishes in all things, shown when she refuses to eat when accidentally given meat. Her mother's reaction is way over the top as she berates the server who gave it to her. Justine dresses conservatively in clothing that makes her look much younger. She is woefully unprepared for the school's hazing and party atmosphere which hits her like a freight train. The very first night, students are dragged out of their beds and forced to party for hours while the elders trash their rooms and party even harder. It's the first time Justine has had so much freedom plus access to alcohol, drugs, and sex. Her initial reaction is confusion and withdrawal. She reconnects with her sister Alexia and avoids the rest of the party.


In one of many hazing rituals, Justine eats a piece of rabbit kidney, pressured by her Alexia after refusing. Despite the fact that she threw up just after she ate the kidney, the effects of the meat wreak havoc on Justine's body in the form of itchy, huge rashes that she scratches until they bleed. When she's treated for the rash and it finally goes away, she find herself craving meat. It starts out as attempting (and failing) to steal a hamburger patty from the cafeteria and then eating schwarma at a gas station, away from the prying eyes of classmates with her friend Adrien. It seems fairly normal for a person to push the boundaries past what they were allowed at home and explore other choices not endorsed by parents. But then she escalates to secretly eating raw chicken and finally eating human meat.


The scene where Justine finally has the opportunity to eat human flesh changes tone lightning fast. Alexia convinces Justine to let her wax her bikini line. Alexia views Justine's body hair as a sign of immaturity and naivete. The first side goes well, but of course it's painful. Justine tries to say no to any further, but Alexia already puts the gunk on the other side and it's stuck. This scene feels realistic and like the type of thing sisters would do together that goes hilariously wrong. The turn comes when Justine kicks wildly and Alexia's finger is lopped off by the scissors meant to cut out the wax. Alexia faints while Justine is left alone with the severed finger. Her fascination with and eventual consumption of it feels so forbidden and uncomfortable to watch. Every fiber of my being was silently screaming no. After the incident, Alexia covers for Justine and reveals she also eats people, but chooses to kill in order to do so. She opts to show Justine how she does it instead of talking to her about it, likely a familial habit to avoid uncomfortable conversations. Justine rejects Alexia's method as immoral, but she still craves human flesh.


Sexual desires accompany the craving as well. Justine starts to dress in more revealing, formfitting outfits, wearing makeup, and being more open to the school's party atmosphere. In one scene, she is splashed with blue paint and shoved into a room with a guy covered in yellow paint and told they wouldn't be allowed out until they are both green. Normally she would just leave, but she chooses to touch and kiss. The scene ends with the guy screaming with a chunk bitten out of his lip. Another instance of this when she has sex with her best friend Adrien. Throughout the encounter, her attempts to bit him were rebuffed and redirected. She only achieves orgasm when she bites on her own arm so hard she draws blood. Adrien seems fascinated by her but later lashes out when he feels his sexuality is threatened. Much like Claire Denis' Trouble Every Day, the cannibalistic urges are inextricably entwined with her sexual desires.


At the heart of this film, Raw is about two sisters dealing with the exact same feelings and trying to deal with them in different ways. Justine hasn't really decided concretely how to deal with it, but soundly rejects Alexia's method. The rejection causes an unspoken rivalry and enmity between the sisters that culminates a series of increasingly violent events. The first is Alexia's very public humiliation of Justine. The second is a fight between them involving savage biting that was also a public display in front of their classmates. The fight ends with others rushing in to pull them apart. Justine and Alexia fight free and go off together to tend each other's wounds, showing that they still care for each other despite everything. All of this culminates in Alexia murdering and eating Adrien, the object of Justine's affection, lust, and hunger. The central conflict is essentially a sibling rivalry that goes further than most.


After the murder, Justine returns home, forced to return to her vegetarian, controlled life with her parents. Justine isn't the same, rejecting their food and refusing to be the person they want her to be. Her father reveals that her mother has that same cannibalistic lust when he shows her his bare chest full of scars and partially healed wounds. He thinks she will find her own solution to the problem, which boils down to society's view of womanhood compared to the reality. This includes female sexuality, anger, and rebellion with an added fantastical layer of violence and taboo in cannibalism. Both Alexia and Justine were raised in a restrictive household that didn't prepare them for the realities of the real world, how to communicate in healthy ways, or even the changes of their own bodies, which caused this whole mess.


Raw is a fascinating coming of age film that takes the concept from Trouble Every Day and gives it relevant meaning, interesting characters, and a true plot with direction. The acting is superb, especially from Garance Marillier as Justine. Julia Ducournau's writing and direction put the viewers right into Justine's journey in alternately relatable and offputting ways. I didn't love Raw the first time I saw it because of the fainting people hype. I expected it to be a lot gorier. I braced myself for the worst and came away disappointed. However, after repeated viewings, the story and characters ring so true. The film has an odd, magnetic quality that shows an honest coming of age story with humor, horror, and emotion.

My rating: 5/5 fishmuffins