Showing posts with label werewolf. Show all posts
Showing posts with label werewolf. Show all posts

Tuesday, October 16, 2018

The Howling (1981)

Anchorwoman Karen White is being stalked by serial killer Eddie Quist. She's separated from the police following her and she ventures into an adult bookstore to meet him. After some traumatic events that lead to Eddie being shot by police, Karen is struck with amnesia, not able to remember what happened. She and her husband are sent to the "Colony" by her therapist for treatment. The place is inhabited by strange people and even stranger things start to happen, like her husband being attacked by a wolf.


The Howling is a classic werewolf movie that I somehow haven't seen until now. Even though I've heard about it, it doesn't seem to have the same love or appreciation as other werewolf movies such as An American in London. The Howling isn't perfect, but there are things to appreciate here: the atmosphere, the creature design, the practical effects, the use of TV, and the ending. So many scenes here are classic gothic fare with forest landscapes, fog, and fear. It's especially interesting to see this oler aesthetic merged with modern 80's aesthetics. Some scenes are intercut with scenes from a TV of big bad wolf cartoons or The Wolfman film. It acknowledges its roots and gives some humor at times. Even though it's a little meta, I loved it.


The werewolf design and transformation scenes are incredibly well done and all practical effects. Some parts of the makeup look a little fake, but most of it looks amazing. The sound of the bones breaking was disturbing as well as one werewolf digging around in his skull for a bullet lodged there. The claws and snout elongating looked realistic and very creepy. Even small details like wounds are kept through the transition. Newer films have worse looking werewolves and transformations. I'm a sucker for an idyllic setting with a dark secret and the ending was a surprise to me even through a lot of the typical tropes used. I was happy to see different types of werewolves: ones who love killing people and being werewolves, others who were coerced into it and want to die (which is sadly passed off as a joke), and still others who are satisfied fitting into human society.


Some things fell a little flat for me. The characters are all one dimensional and don't feel real. Karen is the epitome of the damsel in distress until her last scene. She barely changes through the course of the film. Her husband Bill is the slimiest guy ever and cheats on her without a second thought. Marsha, an inhabitant of the Colony, is a one dimensional seductress and it's apparent from her first appearance that she's a werewolf. While I though most were interesting, she is the one exception that I find too obvious and flat. The human characters are supposed to be the good guys, but they simply aren't as interesting.


The Howling is a fun film that is very steeped in its time. The continuing of werewolf tropes, the acknowledgement of the background, and the merging with modern aesthetics is one of the best parts of the film for me as well as the werewolves, their look, and their transformations. The ending is shocking and surprisingly sad followed immediately by a visual joke. This film is unpredictable at times and keeps you guessing which parts will follow tropes and which will diverge. I enjoyed it and I consider it required viewing for fans of werewolf films.

My rating: 3.5/5 fishmuffins

Saturday, February 13, 2016

Women in Horror: When Animals Dream


* spoilers *

Marie is 16 years old and lives on an island with her father and invalid mother. She gets a new job at a fishery where they good-naturedly haze her and she feels she belongs. Then she starts to get some weird symptoms: a strange rash and patches of thick hair. Then, when the changes become noticeable, people start to treat her differently, losing their playful behavior and becoming more threatening. It becomes clear that her father kept things from her since her condition is similar to that of her mother. Marie now has two choices: does she submit to becoming a comatose invalid like her mother or just live her own life, but be hunted by the society she grew up in.


When Animals Dream is a Danish werewolf film with feminist themes in the same vein as Ginger Snaps. While Ginger Snaps is fraught with teen angst, this film is more quiet and subdued. The film opens with Marie, pale, thin, and seemingly frail getting a weird rash checked out. The doctor asks her the same questions over and over during his examination as if he doesn't trust her answers.  experienced the same treatment at the vet when trying to get treatment for my sick cat. These male professionals act like women either aren't sure, are lying to them, or have simply untrustworthy judgment. In Marie's case, she isn't being trusted about her own body, which she obviously knows better than anyone else. Things seem normal, so she's dismissed. She starts working at a fish mongers and is good-naturedly hazed by being shoved into a vat of fish detritus. The staff becomes more friendly and she feels like she belongs. At home, most of her time is spent caring for her mother who seems aware, but can't speak or move due to a mysterious illness. Marie is endlessly patient, quiet, and happy to do what she's asked without question.


Marie knows something is being kept from her, so she tries to get information in any way she can: spying on her parents and stealing evidence about attacks from the doctor. She dreams of being bloody and wild, the exact opposite of her fairly colorless, dull life. Then Marie starts a flirtation with Daniel at work (witnessed by Bjarne) and throws a glass at Esben, a jerk who tried to joke with her then insulted her mother when she didn't deign to respond. Both of these men catch up with her at her locker, proceed to force her to her knees while she's in her undershirt, and then slap her in the face with a fish from under his apron (where he isn't wearing pants) as if it's a penis. Throughout, they tell her to look at them and kiss the fish. When Marie doesn't conform to what they think women should be (quiet, apparently asexual, and subservient), Bjarne and Esben sexually attack her. It's quite a disturbing scene and they could have raped her there if they had wanted to. I felt for her in this helpless and traumatic situation where these men typically retaliated against a woman acting like a person instead of an automaton.


Then Marie finds thick hair growing on the rash on her chest. This is a super obvious, not very subtle image for puberty. Women growing out body hair is now quite taboo. The media has shown women plucked and shaved within an inch of their lives for so long that anything else is alien. The amount of disgust I've seen over a woman's armpit, leg, or belly hair is ridiculous because men showcase the same hair but usually more plentiful and it's just a natural part of our bodies. Daniel feels the hair on Marie's back when they start to get intimate and he reacts with curiosity and a little bit of confusion. Marie takes it as rejection and tells him to leave, but he tells her she's beautiful and accepts her for how she is. Throughout the film, Daniel is the only person to truly accept all of her, flaws and differences and all. He is also the only one to treat her mother as a person instead of a piece of furniture or someone to ridicule. Their romance is sweet and the most comfortable part of the film.


When Marie returns home after seeing Daniel, her father and her doctor try to force the treatment for the illness on her when she already refused. Marie's mother, in her only physical act of the film, leaps upon the doctor and kills him. The disease is just the state of being a woman. Accepting the treatment means becoming a shade of oneself to appease the society. Women are expected to be silent and compliant with no will of their own. Marie's mother accepted that fate, allowing everyone else to dictate what she did, and kept all of her thoughts and feelings on the inside. She showed in that one act of defiance that she wants different for her child. Afterwards, the awful townspeople demand that she be stripped to check for signs of transformation and violence. They don't see her as a person, but a potentially dangerous object with no right to privacy, personhood, feelings, opinions, or even life as she is murdered later on in the film.


Marie accepts that she will be rejected and becomes the woman she wants to be with thoughts, opinions, and the right to disagree and be unpleasant. I appreciate that there are men and women on both sides of this issue. It shows that both men and women can either work for or against women. Internalized misogyny can be ingrained by being raised with these ideas, so seeing a woman working so hard against Marie is both accurate and kind of depressing. She decides to shove her state in everyone's faces at the funeral, the wake, and then the next day at work in rebellion. Her coworkers react again, more violently than ever before, chasing her down on motorcycles. They eventually capture and imprison her. This shows how both sides do more extreme things to counter each other, but Marie is still just living her normal life (just not in the way the others want) while the other side is endangering her life. Everyone has turned against her except for her father and Daniel. Her transformation progresses quickly, allowing her to dispatch her enemies easily. It only gets to this point because her life is literally in danger. Beyond defending herself, she has never been aggressive or violent before. The final scene features Daniel hugging her and holding her hand, reassuring her that he is there. It's beautiful and shows that he sees the person beneath what everyone else deemed monstrous.


When Animals Dream is an absolutely beautiful Danish film. Much of the film is very quiet, much like Marie, but meaningful. There's not a lot of unnecessary chatter or filler scenes. Sonia Suhl acts amazingly as Marie. Her transformation both emotionally and physically throughout the film is well done and nuanced. Marie was always quiet, but quiet doesn't mean subservient or weak. Her messages were relayed loud and clear even if her actions were subtle. Sonja Richter does an excellent job as Marie's mother (who doesn't even have a name). Most of the film has her not moving or speaking, but her gazes speak volumes. It's clear that she knows what's going on, but can't communicate with her daughter. I highly recommend this meaningful and gorgeous film.

My rating: 5/5 fishmuffins

Wednesday, March 12, 2014

Long Live the Queen


Xandra Vardan has finally accepted the goblin crown and sits as their official matriarch. Life has never been more complicated since the factions are all vying for the goblins to be on their side (except the humans). Things are even further complicated when a creature created by the nefarious labs experimenting on halvies is going around killing people with the ability to shapeshift to look like anyone. The already strained relationship between aristocrats and humans is pushed to the breaking point, which will possibly lead up to another uprising. Xandra has to figure out a way to unite against all the factions against whoever is behind the mad scientist labs in order to keep everything from descending into chaos.

I've been eagerly waiting for the last installment of the Immortal Empire series. I love the world it's set in and each book reveals more and more about it. It's not the typical steampunk and is set in modern times with modified Victorian sensibilities and fashions because she still holds the throne. Technology and society have still progressed, but are all colored with a Victorian lens. The glimpses of the other countries are also intriguing. Since the United States don't have the aristocracy, vampires and werewolves are revered actors, performers, and inhabit popular culture. Also, seeing people from history in much different roles than what they were remembered for is fun to read and hard to predict. The world is a unique mishmash of the two time periods and it's addictive. I think this is the last Xandra's story, but I hope other stories are told within this awesome world.

The plot takes off at breakneck speed and doesn't stop. It had so many crazy twists and turns that I couldn't guess what would happen next. Ali, the young girl made from Xandra's DNA, is the most volatile and mysterious character. I thought Xandra's reactions to her would become cringe inducting and horrible, but she kept her head. Characters tend to lose their brains when children get involved. However, when Ali proved to be too dangerous, Xandra valued her existing relationships over a monster she had never met before who she happened to share genetic material with. Xandra grows a lot within the novel. She absolutely accepts the goblins  and her own goblin nature despite their gruesome habits. Her relationship with Vex is refreshing because they are truly equals. So many paranormal romances feature these horrible, domineering alpha male types that I simply don't find attractive. Vex is strong, but doesn't put down Xandra or push her around to show it. I also found their love story quite sweet, which is hard to do when carnage and plots to overthrow the queen are happening all over the place.

Long Live the Queen is a satisfying ending to Xandra's story. It was an exciting story with unpredictable twists and turns along the way. The characters are all interesting or infuriating in their own ways. I will definitely be reading more of Kate Locke and I also recommend her teen series written as Kady Cross.

My rating: 4.5/5 fishmuffins

Friday, October 26, 2012

God Save the Queen


It's 2012 and Queen Victoria still rules England with an iron fist due to the mix of disease and genetics that  creates vampires. Only aristocrats can be vampires, half-vampires, or goblins due to their genetics and experience extremely long lives, a stronger constitution, inhuman strength and sense, an abhorrence to light, the list goes on. Xandra Vardan is a halvie and a member of the prestigious Royal Guard. She has set records in her schooling using her exceptional strength and speed and believes wholeheartedly that the aristocrats need their protection against the treacherous, vermin-like humans. Then her sister dies, but she knows that her sister has really gone missing. Her quest to find her sister plunges her into a plot that will turn her world upside down.

 God Save the Queen is a unique steampunk novel in that it takes place in an alternate present day where Queen Victoria is still alive. This idea results in a world wherea version modern day technology is meshed with Victorian fashion, style, sensibility, and mentality. Both fashion and technology are permanently stunted because the country is led by one really old woman who knows what she likes. There are some changes and advances, but are much more slow moving because the aristocracy is basically immortal. Women are still wearing bustles, corsets, and the like. Hysteria is a common diagnosis for female behavior. Cell phones and computers exist, but not in the same way they do now. It just feels less developed and more clunky, like modern technology through a steampunk lens. Cylinders are used to store audio and video files and cell phones still have rotary dials. Science has also progressed and plays a large role in the novel.  Historical figures from the past 175 years are still walking around and looking pretty good for their age, like Winston Churchill. The only thing I think is out of place is the acceptance of homosexual relationships. It's not even fully accepted currently, so I don't think a stunted, decidedly old world would fare any better.

Another aspect of the society I love is the disease. The plague mixed with the aristocratic genetics creates either vampires, half vampires, or goblins. (The same is true for werewolves.) The plague mixed with run of the mill commoner genes results in death. Upward mobility is now impossible for humans because of their genes. This clear distinction and huge difference between classes makes tensions run extremely high. The Great Insurrection of 1932 made matters worse when humans tried to overthrow and eradicate the aristocracy, but they failed, leaving both factions bitter and angry. Both are typically prejudiced of each other except for an underground faction where a few can work together. I love this system. It makes for great political intrigue and just a fascinating new world.

The characters are pretty awesome. Xandra is a hot head and throws herself wholeheartedly into everything she does. This fiery red head is strong and completely prejudiced against humans. She loves her family and will fight to the end for any them. Her sense of justice and familial fealty are huge parts of her character and change over time. I love seeing this world through her eyes. Throughout the novel, her prejudices and preconceptions change as she sees the truth. I honestly can't get enough of her humor and sarcasm. Vex is her lover and the leader of the werewolves. Werewolves are usually awful and obnoxiously alpha male and abusive. Vex is the opposite. He's quite sweet and the romance between him and Xandra is both steamy and tender. He manages to be protective and strong without being condescending or overbearing. He is the best male interest I have seen in a while.

I can't get enough of this vibrant world that merges the present day with the Victorian era. I like that science and technology can be an integral part of a magical fantasy world, showing that science fiction and fantasy can support each other and produce amazing results. In a growing genre, God Save the Queen manages to stand out in the crowd of steampunk. The only flaw is the beginning takes a little while to gain momentum. There is a little too much time before anything really happens. I eagerly await the next installment of the series.

My rating: 4.5/5 fishmuffins

Tuesday, May 1, 2012

Hemlock


Werewolves are a part of reality caused by a disease known as lupine syndrome. The second a person is infected, they lose all rights and privileges as people and are sent to camps to keep them away from humans. Many werewolves hide undetected among humans, but transformations are sometimes unavoidable due to emotion and bloodlust. A murderous white werewolf is on the loose in Hemlock. It killed Mackenzie's best friend Amy and a few other girls along the way. The Trackers, an extremist anti-werewolf organization, come to Hemlock in an effort to catch the werewolf, but they also cause a lot of trouble for the citizens. They view themselves as above the law and pretty much do whatever they want without consequences. Mac decides to investigate the murder for herself since the Trackers are absorbed with harassing people and the police do nothing. She gets more than she bargained for when she uncovers secret after secret about Amy's boyfriend Jason, her best friend Kyle, and Amy herself.

I didn't really know what to expect when I started reading Hemlock. I'm usually not a fan of werewolf books because good characters are inevitably changed into insufferable jerks. This actually wasn't the case in Hemlock. The world is different than the usual fare. The public is aware that werewolves exist and they immediately lose all rights as people when their existence is known. The driving force behind the werewolf camps seems to be primarily fear. Fear of the unknown and fear of being attacked. Fear and the need for protection or security over freedom also allows the Trackers to take over and do whatever they want. This group is so frightening to me especially since the Hemlock world is basically our world with werewolves. A fanatical group taking over, pushing their own secret agenda, and running wild unchecked is one of my worst nightmares. The Trackers' actions become more and more violent and reprehensible as the book goes on.

The characters are also more than I expected. The back of the book describes a typical YA love triangle, but it's a little different than usual. It's not just a girl mooning over 2 guys and waiting 3 books to choose and the romance aspect never takes over the entire plot. I really like Mac and sympathized with her. Unlike many YA heroines, she was strong, fiercely loyal, and full of heart. The two young men in her love triangle are both awesome and annoying in their own opposite ways. So many surprising revelations come out about these characters and it makes the book exciting with all the twists and turns.

Hemlock was a very surprisingly good read. I loved the characters and crazy plot twists. I can't wait to read the next book!

My rating: 4.5/5 fishmuffins

Saturday, February 4, 2012

Women in Horror: Wolfsbane



*** This review contains major spoilers. ***

Calla Tor is separated from her pack and her family, surrounded by the Searchers, who have been her enemies for as long as she can remember. She assumes they will kill her soon until they offer to make her part of their campaign to destroy the Keepers, the masters of her and the other guardians that treat them like property. Since it gives her the opportunity to save her friends and family, including Ren, and earn them their freedom, Calla agrees. Shay, the Chosen One turned Guardian, is with Calla and acts as her only support system, but she still has complicated feelings about Ren. Will the Searchers keep their promises and save her friends despite their past conflicts? How many will die in the fight for freedom? Will she ever choose between Ren and Shay?

 I read Nightshade and I had some significant problems with it, namely with Renier and the oppressive and misogynistic wolf pack hierarchy, but other aspects of the story redeemed it for me. Wolfsbane had all of the things I hated about Nightshade and more with none of the things that I liked. In the last book, Renier was insufferable and used violence as well as passive aggressive tactics to make Calla feel inferior. He didn’t figure largely in this installment, but when he appeared, he made a big impression. When Calla returned to her home to try to save him, he decided to beat her into submission and “break” her because that’s what a good boyfriend should do to make his girlfriend stay with him. If that wasn’t enough, Calla blames herself and feels guilty for his actions, which just screams domestic abuse situation. I had absolutely no sympathy for Ren because he decided it was ok to express his love through his fists.

Now, let’s move on to Shay. In Nightshade, he was a great character and everything that Ren wasn’t: understanding, caring, and an all-around good boyfriend. Now that he turned into a Guardian, he automatically turned abusive and egotistical just like Ren. He pressured Calla for sex, which she refused because she wasn’t ready and she still had complicated feelings about Ren. In true Guardian fashion, Shay became angry and jealous. Calla was scared that he would shift and hurt her and she still wanted to stay with him. This scene alone gave me the urge to throw the book across the room. Neither of these boys was remotely attractive or worthy of Calla’s affections. I really wanted her to come to her senses and stand up for herself with both Shay and Ren, but she never did. The strength she had in the first book was gone, making her into a hugely uninteresting character. I truly don’t understand the fandom surrounding this series, revering these abusive males and arguing which one is better. With a society that already has misogyny deeply ingrained into it, there really doesn’t need to be any more normalizing of violence against women.

Wolfsbane, in addition to featuring horrible romantic interests, didn’t have much going on plot wise. It fell into the second novel in a trilogy pitfall where it sets up for the third book, but doesn’t do much else. The cover was also terrible, featuring an oversexualized Calla in a suggestive pose, which is far inferior to the original design that was circulated. Isn't it pretty? The only good things about the novel were Andrea Cremer’s fluid writing, some of the new Searcher characters, and the glimpse into the Searcher way of life. The negatives of this novel vastly outweigh the positives for me and I won’t be reading the rest of the series.

My rating: 1/5 fishmuffins

Sunday, October 31, 2010

Nightshade


Calla Tor isn't a typical teenager. Instead of worrying about boys and where she's going to go to college, she worries about how fierce of a warrior she is to protect the Keepers, who are powerful spellcasters, she is sworn to protect. She's the Alpha of the Nightshade pack of Guardians, warriors that have the ability to turn into wolves. They protect and serve the Keepers and in return get all the things they need to live. Calla is satisfied with her life, even though it's all planned out. On Halloween, she is destined to marry Renier, Alpha of the rival Bane pack in order to merge both packs, whether she actually likes him or not. Everything was going on track until she saved a human boy from a bear attack. That same human boy, Shay, starts to go to her school recently after the incident. She feels a connection with him and starts to have doubts about her completely planned out future. Will Calla choose to follow the destiny that has been decided for her and marry Renier or will she blaze a new trail and choose Shane?

Nightshade is an interesting twist on werewolves. Their transformation is possible through magic and the pack answers to a higher authority than the Alpha. Unfortunately, I really dislike werewolf packs and their politics. The added tier of authority only compounds what I already hate about the situation. No one in the pack really has any power. The Keepers decide everything, including which pack members can be romantically involved and who they want to sexually assault. The Guardians are just glorified slaves and the Keepers are known to abuse their powers over them. Within the pack, even Calla, the most powerful female figure, has pretty much no power, which is typical. Renier overrules her in every way. He could have been a really great character, but he is reduced to using physical violence and passive aggressive tactics to make Calla feel inferior. I just really did not like him at all by the end of the book. I do realize that this situation isn't portrayed in a positive light and is used to create a sort of miniature fantasy based dystopia, but I don't like these sort of werewolf politics.

There are quite a few things that I enjoyed about the novel. Calla is a compelling protagonist and a strong female character. I was less than impressed when she practically fell apart every time one of the boys was around, but I guess it's understandable with her being a teenager and in an oppressive society. Other than that, she proved herself to be a strong warrior and I liked seeing her world through her eyes. The narrative flowed really well for the most part and I finished the book in just a couple of days. The ending was really good because it made Calla question the actions she had taken and made me really interested to see what was going to happen next. I will definitely read the next in the series.

My rating: 4/5 fishmuffins

Sunday, October 10, 2010

Sisters Red

Scarlett and Rosie March were orphaned as children when a wolf attacked and killed their grandmother. Scarlett was nearly killed in the attack and escaped with only one eye and a great many scars. This wolf was no ordinary wolf, but a soulless creature that takes the form of a man and can turn into a wolf, called a Fenris. Eight years later, the sisters train hard and hone their skills to be able to kill as many of these creatures as possible, with the help of their woodsman neighbor Silas. As a result of their constant training and slaying Fenris, the girls haven’t had a chance to go to school, have friends, or even think about dating like normal girls their age. They live in the same small rural country town they grew up in and their world is pretty small. Scarlett is satisfied with this the hunt consuming her life, but Rosie longs for some semblance of normalcy. Rosie also starts to have feelings for Silas, which proves to be more of a problem when they all relocate to a small apartment in a big city in pursuit of a Potential, a male that can be turned into a Fenris with very specific conditions. Can Rosie have a relationship with Silas without alienating her sister? Will they find the Potential and protect him before the Fenris turn him?

I’ll admit it: I’m a sucker for a good retelling of a fairy tale. This is one of the most exceptional that I’ve read in general. Jackson Pearce takes the simple fairy tale, Red Riding Hood, and adds beautiful detail to it. The flat characters become realistic and multidimensional. The story is transported to the present. The setting starts as rural and then becomes urban. The city, not the forest as in so many fairy tales, serves as the setting for transformation and the main action in the story. The single wolf becomes a group of werewolves. The woodsman that acts as the savior in the story becomes an ally and a friend. These changes still reference and use the original story as a starting point, but ends up going against such fairy tale conventions as the cliché happily ever after and the helpless damsel in distress. They ultimately transform a fairly flat tale into a story that speaks to (and is relevant in) the modern world.

Scarlett and Rosie are fierce warriors and very close sisters with an intense relationship. They are about as different as night and day: Scarlett is perfectly happy just hunting and killing Fenris for the rest of her life and Rosie wants something more. The novel is told from both of their points of view, switching between them each chapter. It’s a great way to get a better idea of both of their thought processes and where both of them are coming from. My favorite thing about them is how they destroy what the original fairy tale essentially says about women. The girls dress up in red hoods, heavy makeup, and sexy clothing to lure in the Fenris for the kill. They use their sexuality as a weapon and don’t depend on the woodsman to come and save them. They are self sufficient and fierce. The original tale can be interpreted in many ways. In my opinion, it can be interpreted as rape being the fault of the victim or as a negative view of a young woman’s burgeoning sexuality. Scarlett and Rosie prove to be the complete opposite of these two views. It’s wonderful to see this frankly misogynistic tale made into one of empowerment.

Sisters Red is an excellent story with adventure, werewolves, grisly deaths, and even a little bit of romance. I would recommend it to pretty much anyone that has seen or heard of any rendition of Red Riding Hood.

My rating: 5/5 fishmuffins

Saturday, November 28, 2009

Ginger Snaps

Ginger and Brigitte Fitzgerald are sisters, incredibly close and fascinated with death. They are also complete outcasts at their school because of their weird attitudes and photo projects of their mock deaths. There have been a rash of neighborhood dogs being killed, so Brigitte decides to play a joke on a bitchy classmate (who shoved her into a dead dog). The plan goes awry when the creature killing the dogs attacks Ginger seconds after getting her first period. Ginger survives the attack. Her wounds immediately start to heal at a rapid pace. After the attack, Ginger's behavior changes drastically: she shows interest in boys, smokes pot, exhibits extreme mood swings, and starts to physically change. Brigitte watches her sister in disbelief and is convinced she's turning into a werewolf. Can she convince her sister and find a cure before it's too late?

Anyone who knows me well knows that I go through obsessions with books and movies. I will reread or -watch things I really enjoy repeatedly over a period of months sometimes. This is one of my obsessions. This film has just enough camp/cheese, suspense, and good story to be the perfect movie. I love the fresh take on werewolves. I usually seriously hate werewolves because it reduces good characters to competing in pissing contests in the pack and being extremely moody and annoying (see the Anita Blake series and the Twilight Saga). Women are generally not in positions of power in the pack and are treated as inferior or as property, which really makes me angry. This film, thankfully, has no werewolf pack and has a fresh interpretation of werewolves. The Hollywood vision of werewolves transforming at the full moon and being defeated by silver bullets is abandoned. The focus is on the transformation of a teenage girl into a werewolf in the span of a month, as an allegory for womanhood and growing up. The animalistic behavior represents the bodily urges of a young woman. She becomes a different person, as one should in a transition from childhood to adulthood. This is shown physically through her slow transformation into a wolf. Brigitte, since she is still a child, is completely terrified by the transformation. She tries everything she can to stop it, but the advancement in the cycle of life is inevitable.

The acting is great. The sisters are completely believable and creepily close at the outset of the film. I personally related to the girls. Who didn't feel isolated or misunderstood in high school? Katharine Isabelle, as Ginger, carries the film well in her change in mood and demeanor as the film progresses. The effects are surprisingly well done, despite being an indie film. There is a lot of blood and gore, plus the deaths of about 4 dogs. The director opted to use prosthetics and makeup to achieve Ginger's transformation which I think worked wonderfully. CGI would have looked way too fake and dated the film. The changes are at first understated not even recognized by the characters. It's not until later in the film that the viewer realizes that the small changes have added up and drastically changed her appearance. I liked that she looked oddly beautiful even in the late stages of her change.


The main musical theme is so hauntingly beautiful, featuring a cello in the melody. Similar themes in the movie are nice, but there are some laughably cheesy moments because of other musical motifs. I think the cheesier moments were intentionally poking fun at the teen horror genre. The climactic face-off at the end of the film between Brigitte and werewolf Ginger was so suspenseful. The first time I watched it, I couldn't look away and I was on the edge of my seat.

There really isn't anything I didn' t like about Ginger Snaps. One can definitely see its effect in recent cinema, especially in Teeth and (unfortunately) Jennifer's Body. I think Ginger Snaps is what Jennifer's Body really wanted to be, but failed miserably. I hope the tradition of gynocentric horror films continues.
**My rating: 10/10**

***You can download the Ginger Snaps theme from the composer's site. Right click on the Ginger Snaps banner on the bottom of the page and select "save link as."***
***Visit the film's official site here.***