Monday, July 17, 2017

Tales from the Crypt (1972) Part 2

The morality horror continues!

* Wish You Were Here


Failed businessman Ralph Jason lost all his money and is steeped in debt. He freely admits to being ruthless in his rise to riches and makes no apologies for it as it built his empire. To avoid declaring bankruptcy, he and his wife Enid will be forced to sell off their treasured antiques and items collected from all over the world. His wife finds a Chinese figure that has an inscription (of course in English) that grants 3 wishes, so she wishes for lots of money. Of course it doesn't go well. The montage of Ralph driving to his solicitor's house followed by the death motorcyclist backed by a jaunty jazz score is surreal, out of place, and a bit silly.

I especially enjoyed the meta commentary of remembering the story of The Monkey's Paw and trying to avoid the pitfalls of the old couple in that story. However, her husband still dies and, when she wishes him back as he was right before the accident, he's still dead because he died of a heart attack. The creepiest and palest funeral workers deliver his body in another surreal scene. Her last wish is the worst. Even as she says to be careful, she wishes him alive forever, putting him in pain due to the embalming fluid. Enid is a terribly written character namely because her hysteria and grief cause her to nonsensically try to chop him up even though he can't die. She is also the source of every problem except their initial financial situation.

Although I'm not a fan of the terrible portrayal of Enid, the image of Ralph writhing in pain with his intenstines exposed and hand crawling around on its own shocked and frightened me as a child. It repelled me but I was fascinated at the same time. Although it's nostalgic for me, the story is not the best. We never see his evil deeds and it doesn't really feel like a deserves a fate worse than death. It has odd moments and it doesn't seem to all fit together organically. On a sidenote, I noticed the similarities to Wish Upon and I wonder if the writer watched this as well.

My rating: 3/5 fishmuffins

* Blind Alleys


Major William Rogers takes over as superintendent at the Elmridge Home for the Blind, bringing his dog, his militarisitic attitude, and unwelcome changes. Those changes include turning off heating at night during the freezing winter and lowering the quality and amount of food for the elderly men. He has no sympathy for the freezing, starving men and doesn't even seem to view them as people, making snide comments that they have no reason to stay up as blind people. Rogers stays in his luxurious office warmed by his fireplace eating steak, wine, and a lush salad while the blind men eat tightly rationed slop and freeze. Nigel Patrick portrays him as no nonsense, dismissive, and unaware of uncaring of his deep hypocrisy.

George Carter is the representative for the blind men who tries to reason with Major Rogers that the cuts to their care is harmful. He is rejected time and time again. Rogers isn't above siccing his dog on George for his insolence, which was beyond the pale. Patrick Magee, who I recognized from A Clockwork Orange, is a delightful character actor who infuses George with righteous anger and a stony visage. He puts such venom in his voice when addressing the Major for the injustices. After a man dies due to the inhuman treatment, all of the blind men band together to take care of their problem, collecting meat to lure the dog away, capturing Major Rogers, constructing the means for their revenge, and keeping people from informing the authorities. The only thing they do that I don't agree with is starving the Major's dog. It isn't his fault his owner sucks.

The ending is another instance of poetic justice. The Major is reduced to begging for food and water for himself and his dog, which they refuse. The blind men constructed a covered corridor from his prison to the room where they kept his dog. The end of the corridor too narrow to walk through facing forward and lined with hundreds of razor blades. His walk through is suspenseful as he and we don't know what lies in store for him. The music heightens the tension as he inches along, trying not to cut himself on the wall. When the dog is released, his realization of his doom is accompanied with a zoom out from the corridor to show the narrow space and the gleaming razor blades. His fate isn't shown, but we can imagine it so much more gruesome than it could have been shown at the time. This is another of my favorite segments because the slow walk through the corridor and the sight of him flinching at each small cut from his walk past the razors makes the endings implications even more horrifying.

My rating: 5/5 fishmuffins


The ending of the frame story has the Crypt Keeper revealing that the stories aren't warnings, but events that have already happened. A door opens with a blinding light, but Carl goes through and falls to his fate. All of them are doomed to the literal fiery pit of Hell as unrepentent sinners. It ends with the Crypt Keeper breaking the fourth wall to warn the viewer against a similar fate. I love this film both as my gateway to the genre and as a suprisingly well made horror film.

My overall rating: 4/5 fishmuffins

Sunday, July 16, 2017

Tales from the Crypt (1972) Part 1


I saw this film younger than I should have and it was one of my gateway movies to the horror genre. It still holds up even though its a little dated because it has the heart and soul of Tales from the Crypt with impressive performances. It starts with Bach's Toccata in D, an iconic horror choice, and pans over a beautiful cemetery. A group of people tour ancient catacombs. Their guide urges them to stay together as its a dangerous place, but 5 of them are delayed and get separated. They wander around until a door opens for them. The room is empty so they turn to leave when the door slams close. A man in monk's robes suddenly appears and tells their stories as if to warn them of the future. This Crypt Keeper has a scornful attitude towards his charges and a mysterious air.  

* ...And All Through the House


I love a lot about this segment. Everything is subtle and well crafted. The film doesn't have to narrate that the old man loves his family, but instead has an establishing shot of this man lovingly putting presents under the tree. The first indication that something is wrong is an amazing shot of blood splashing on the newpaper the older man is reading when he is killed. The woman, portrayed by Joan Collins, calmly goes straight for the safe to check his life insurance, showing that her main motivation is money. The chilling aspect of this part lies in the happy child upstairs waiting for Santa, unaware of the carnage downstairs, and the peaceful choral Christmas music that contrast with the violence.

Much of the film has no dialogue because the woman is trying to clean up the murder while her daughter sleeps upstairs. So much of Joan Collins' performance is in her eyes and her facial expressions. When the psychotic Santa reveals himself, she reaches for the phone and you know by her glance at the body and her defeated facial expression that she knows she can't call the police until she cleans up. She works tirelessly cleaning up the blood, dragging her husbands body to the basement, and planting blood to make it seems like he fell. In addition to this, she has to secure the house by locking all the doors and latching all the windows before Santa comes inside. As she works, her face becomes drenched with sweat and she's visibly drained.

Unfortunately, all her hard work is for nothing because her innocent daughter let Santa in the house after she's been waiting for him all night. Overall, this film has everything I want in a Christmas horror film: murder, suspense, good performances, and a concise story told in just over 12 minutes. The only downsides are the dated decor and not very scary Santa. This classic Tales from the Crypt story combines elements of wholesome Christmas traditions with murder and mayhem and ending with the evil being punished.

My rating: 4.5/5 fishmuffins

* Reflection of Death


Carl Maitland decides to run away with his beautiful girlfriend Susan and abandon his family with no word. It disgusts me that he wasn't even going to say good night to his daughter. He only felt obligated because his wife prompted him, but he was just going to pause in her room and leave until he found her awake already. It adds insult to injury when he knows he's not coming back. Ian Hendry does a great job making him as odious as he possibly can. Moving forward, Susan drives so he can sleep, but he has a disturbing dream that wakes him up screaming. Then a truck comes out of nowhere. Carl fights for control of the wheel and they crash. This is probably one of the cheesiest car crashes ever to grace the silver screen.

Carl awakens from the wreck and the rest of the segment is directly from his point of view. Each person he encounters him reacts as if they've seen a monster. A homeless man screams and runs. A motorist drives as fast as he can away. His own wife screams in terror and slams the door in his face, then seeks the solace of her new husband. The only person to treat him fairly normally is Susan, but she lost her sight in the accident that claimed his life. He glimpses his reflection in a table, shocked at his grey complexion and rotting skin. He awakens back in the car and the accident happens again. This story is the only one that has the feeling of purgatory because he's doomed to repeat both the pain and panic of the accident as well as the puzzling treatment and the horrific realization of what he has become. It's not the best segment, but it has its merits.

My rating: 3.5/5 fishmuffins

* Poetic Justice


Grimsdyke is a dustman who loves his dogs, refurbishing toys for local children, and the home he made with his late wife. His neighbors Edward and James Elliot hate him for driving the values of the surrounding houses down with his "hideous" house and judge him for his profession. James hatches a cruel plan to drive Grimsdyke out of their neighborhood by systematically taking away anything that makes him happy or contributes to his livelihood. Slimy James uses every bit of his extensive influence and privilege in addition to underhanded tactics to drive Grimsdyke away. Robin Phillips makes James incredibly smug and snobbish with extreme arrogance.

Peter Cushing has his most sympathetic and soft role here that he's almost unrecognizable. Doing small acts of kindness like making toys for children brings him such joy. He has modest needs, contributes to the neighborhood, and keeps to himself. He only wants to live in the place he was so happy with his wife. Throughout his day, he talks to his late wife and practices Spiritualism to communicate with her using his spirit board and automatic writing planchette. His shock and sorrow at each of James' cruel plans is shown with stark clarity all over his face. His attempts to brush them off and keep his cheerful mood makes his suicide even more sad. This is the most heartbreaking story because he's so kindhearted and undeserving of such treatment.

The ending is my absolute favorite. No one in Tales from the Crypt stories has ever deserved an ending like this more than James. The zombie makeup is pretty good for the time (except the eyes look wonky), especially in the wrinkled hands and creepy nails. This story is exactly what Tales from the Crypt is about: evil people being punished in satisfying ways.

My rating: 5/5 fishmuffins

To be continued!

Saturday, July 15, 2017

A Flame in the Mist


Mariko, 17 year old daughter to an esteemed samurai and a favored family, has no illusions that she is to marry the emperor's son to benefit her family and their position. Her convoy is attacked by a gang of thieves called the Black Clan leaving her the only survivor. After killing an assailant and stealing his clothing, Mariko chops off her hair and disguises herself as a boy  to investigate the Black Clan gang. She gets closer than expected when they kidnap her and recruit her into the bottom rung of their ranks with the abusive treatment and gruelling work to prove her loyalty. She takes to her new life, makes friends, and even falls in love, but it's all getting in the way of her one true goal: revenge.

Conceptually, a retelling of Mulan sounds like a great idea. However, the characters, the worldbuilding, and the writing are so uneven and inconsistent that it fell apart for me. So much about Mariko doesn't make sense to me. She feels like her potential is squandered as a woman only meant for the feminine arts, marriage, and raising children, which makes sense. However, she has disdain for her entire gender and sees herself as above it. I hate the "not like other girls" trope because it's meant to make the main character seem so special and also put down other girls and stereotypically feminine things. It's annoying, overdone, and a lazy way to make the character stand out. Mariko suddenly adapts to living as a homeless person and as a Black Clan trainee. I find it hard to believe that someone pampered their whole life wouldn't complain a little bit or not know what to do in that situation. She's also the inventor of the smoke bomb and the shuriken, which plays into her being super special. The smoke bomb is used in battle without even being tested first, putting herself and her crew at risk. Her skill with the shuriken is suddenly perfect with no training or practice at all. I couldn't suspend my disbelief enough for a lot of her behaviors and accomplishments.

Mariko contradicts herself constantly. She's inept at so many things, but delusional about it. She claims to hate "feminine" emotions (as if boys aren't emotional), but her emotions control her actions most of the time. Whenever she feels self concious or judged by her appearance, she dismisses it as being weak and feminine. She puts on a calculated act that would work if every one of her later actions didn't contradict it, usually accompanied by explosive emotion of some kind. She pats herself on the back for "infiltrating" the Black Clan base when she tried to escape numerous times and only stayed because she was drugged. In her head, she strives to be samurai-like and virtuous, but she turns around and constantly lies and steals without recognizing how counter to her views it is. So many of her stupid decisions should have left her maimed or dead due to her lack of planning, emotional instead of intellectual motivation, or the need to prove herself. Mariko is definitely flawed, but she's also not likeable and not someone I would want to root for.

The world is set in rural Japan. For most of the book, I thought it was more of a historical retelling outside of fantasy, but there are a few instances of magic. The magic system is  never explained at all. I thought maybe she was mistaken or describing things weirdly, but the one character who uses magic seems woefully out of place in this otherwise historical setting. The Black Clan members open up to Mariko way too soon and don't guard against her despite being a successful and skilled gang that would know she might turn on them if given the opportunity. The writing is a bit clunky and tells a lot rather than shows, as evidenced by Mariko's behavior. She says and thinks so many things that are shown to be contradictory to what actually happens. The one part of the book I liked was how the two love interests resent their romantic feelings and try to work against them. Other than that, A Flame in the Mist was a chore to get through with the numerous problems I had with Mariko and her internalized misogyny plus the leaps of logic in the rest of the story. I won't read any more of this series, but I bought her previous series that I hope doesn't suffer from these same problems.

My rating: 1.5/5 fishmuffins

Friday, July 14, 2017

Wish Upon


Clare Shannon's life hasn't been the same since her mother died when she was a child. Her father is a hoarder who openly digs through other people's trash in public and most embarrassingly in front of her school. She has a small group of friends, but the popular kids won't stop bullying her. One day, her father brings her an ornate Chinese music box that won't open with ancient script all over it. All she can make out from her understanding of high school level Chinese is 7 wishes, so she wishes for her rival to rot. It comes true, but her dog dies on the same day. As she makes more and more wishes without reading the fine print, bodies pile up around her. Will she notice the gruesome payment for her wishes and will she have the willpower to stop?


I went into Wish Upon looking for a fun teen horror movie and it delivered imperfectly. Clare seems like a decent person at first. She's an artist with a small circle of friends, an embarrassing dad, and a few shallow bullies. Her friends were honestly more interesting than she was, especially Meredith, who doesn't back down ever and loves her Pokemon Go style ghost game to a fault. Overall, Clare's life isn't that bad, which makes it hard to sympathize with her once she starts making wishes. The first few could have been coincidences with her wish coming true and someone around her dying, but after while, she seems to be willfully blind to the effects in order to improve her life. One of the victims wasn't discovered until weeks later, which seems pretty unbelievable to me since she wasn't a recluse. Some wishes go great like being willed all of her dead uncle's estate, becoming popular at school, and her father becoming someone who doesn't embarrass her on a daily basis. Other wishes don't go so well like her crush becoming fully stalker level obsessed with her. Some of her wishes were so stupid even for a teenage girl, especially after she realizes that someone will die for it to come true. Her mood swings gave me whiplash as she wanted to throw it away one minute and then wanted to keep it even if she lost her friends the next minute.


The music box has a gorgeous exterior with ornate carvings in red and black with small circular mirror on the lid. The inside is equally beautiful with whirring gold mechanics and a carved gold demon under the lid. I wish the song it played was a little more memorable, but its dissonant chromatic melody creates tension and unease. It has a history of vastly improving people's lives through history, but all of them end in suicide. Its origin dates back a bubonic plague infection in 1919 China where a woman prayed 7 days and nights until a demon came to grand her wishes. Of course it's done the same ever since. I though it woud be culturally insensitive since this Chinese box is ruining this poor white girl's life, but the Chinese people who inform her about the box are refreshingly complex characters, even more than Clare. Ryan, a boy from her Chinese class, is adorable and quirky while his cousin Gina is an artist with a modern loft and colorful style. I was afraid that they would be wise and mystic stereotypes like in 80's movies like Gremlins and Big Trouble in Little China, but this was firmly avoided.



My main problems with the movie are in vapid Clare, who becomes increasingly hard to sympathize with as the movie goes on. Her dad isn't that bad. A few people at school don't like her and she's rich enough to have all the essentials plus a cute wardrobe, a nice bike, and a large amount of art supplies. Her "hoarder" dad had a cluttered house, but nowhere near the disgusting collection I was expecting to see like the Hoarders TV show. Another problem is in he people chosen to die by the music box. Why does Gina have to die when Clare knew her for less than a day? Why is a dog life equavalent to a human life? The people should have been closer to her instead of practically strangers, which would have had more impact as those characters were better written. The ending has all sorts of logical problems, but it was completely predictable and of course left open for a sequel. Overall, Wish Upon is a fine popcorn horror movie that delivered teen drama, decent PG-13 acceptable kills, and a creepy cool music box. I probably would see the sequel because Clare would no longer be the focus.

My rating: 3/5 fishmuffins

Thursday, July 13, 2017

A Court of Wings and Ruin


Feyre has returned to the Spring Court after making Tamlin and the rest think she was under Rhysand's mind control. Her goal is to gather intel on her enemies, namely Hybern, and push his subjects into rebelling. Feyre has to find out who to trust and who to be wary of as the battle of the century looms close. The people if Prythian need to band together or the powerful King Hybern may prevail in enslaving humanity.

The previous two books in this series were amazing, so the third and final installment has a lot to live up to. For the most part, I was pretty happy. Feyre in particular impresses, especially as a double agent in the Spring Court. Tamlin deserved everything coming to him after his unrepentent abusive behavior, which continues in this book. Observing her as she undermined him at every turn and helped his court self destruct was incredibly satisfying. Outside of that, Feyre has some changes to adapt to. Her powers are well in hand, but her status as High Lady of the Night Court is brand new and she has to navigate how to be ruler to people she's also friends with. This is of course on top of trying to stop the most powerful being Prythian has ever seen. I especially love how she works with her friends and family to in order to achieve their goals using their specific skills instead of trying to be everything.

The found family she has built is stronger than ever with the addition of her two sisters Elaine and Nesta. Her relationship to Rhys' friends (now her friends) deepens more than ever as they get to know each other and share experiences together. Her sisters weren't very well developed before, but Nesta especially becomes a real person in this book. Although she hates being a fae, she eventually finds ways to be productive that don't involve sitting around, being rude to everyone. She directs her anger into understanding her new powers and researching. Elaine spends most of the book stunned that her whole life as she knew it is over, but her powers of precognition show themselves more and more as the book goes on. At first, her vague descriptions are taken as madness, but when they are revealed as visions, she starts to truly live her new life. The addition of her sisters proves to be integral to the story as well as to Feyre's journey.

Revisiting previous characters that weren't seen a lot in the last installment and meeting new characters ties everything together and fleshes out the world. Lucien more than redeemed himself for previous transgressions and grew to be so much more than Tamlin's puppet. Even Tamlin himself does a bit of good despite his abusive, controlling nature. (His previous actions aren't ignored or excused.) The rest of the High Lords have to choose a side and it was interesting to glimpse their personalities and the people in their Courts. It also shows how differently they run their Courts and interact with others. Cassian and Azriel are seen in their warrior capacities as usual, but when they become infatuated with Feyre's sisters, we get to see their slightly softer sides and explore their relationship with Mor. Where Rhysand's strength were shown in the previous book, his weaknesses are on display here, which I appreciated. He isn't perfect or an eternal font of energy, so it was good to see a powerful character worn down and devastated by war.

One big part of the novel is the war aspect. Many times they have to fight the forces of Hybern to protect themselves or their people. Unfortunately, this is the part that made this book the weakest of the series. On one hand, I liked how realistically war is shown to be in the trappings of this fantastical world. However, there are numerous small battles and one large one at the end. They start to blend together and I'm not a huge fan of books about war. The plot had many twists and turns, which made the book unpredictable. Another criticism I had is the ending, which feels a little too convenient all around. I'm hopeful that Sarah J. Maas will be continuing the series, so it's not a permanent ending. Overall, the series is enjoyable with a relatable protagonist, a worthy love interest, and nonstop action throughout.

My rating: 4.5/5 fishmuffins

Wednesday, July 12, 2017

Horror Movie Mini-Reviews: The Collector and The Collection

* The Collector


Arkin O'Brien is desperate to pay off his debts to protect his ex-wife and daughter from loan sharks. So he's forced to do one last heist with his lockpicking and breaking and entering expertise,  posing as a handiman to a rich family. The house has a huge, expensive ruby that will solve all his problems, but coincidentally, a masked killer with elaborate traps attacks the house on the same night of the heist. The killer doesn't factor in the thief to his plans. Can Arkin save the family and escape with his life?


The Collector is a fun, bloody slasher with traps similar to Jigsaw's in Saw without the faux morality reasoning. The only developed character is Arkin. We see his past and his relatable reasoning for his thievery. He's the most clever and catches on to the killer's ways the fastest. The rich family aren't portrayed as deeply and mostly act as fodder for the unique kills which aren't to be underestimated. The Collector is the best part of the film with his twisted mask, reflective eyes, and ominous silent presence. Nothing is known about him at all. It's even more effective that he could be anyone. His methodology is cruel. He captures someone from the previous kill and traps them in a red trunk. The opening of that trunk activates the horrific traps for the new kill, leading to the mental torture and probable death of the survivor who knows what's in store for the new targets and can't help them. There's honestly not much to this film beyond interesting kills, gore, and a tense cat and mouse game. It does fall into typical horror tropes a little more than I would like. However, The Collector is fun and unexpected, which is more than I can say for a lot of the more mainstream franchises that keep pumping out the same dreck year after year.

My rating: 3.5/5 fishmuffins

* The Collection


Elena Peters and her friends go to a party in a fashionable secret, underground club while The Collector continues to kill indescriminantly. The Collector coincidentally targets the club and kills all the clubgoers except Elena, who is trapped in the red trunk, and Arkin, who escapes from that trunk and out into the night. Elena is taken to the Collector's layer and Arkin goes to the hospital, where the police make a deal with him to lead them to the lair to save Elena. Arkin agrees only to lead them there, but they threaten him to continue inside to a madman's labyrinthine layer, full of victims, bodies, traps, and his collection.


The Collection is a huge improvement to The Collector that keeps the first films innovative kills and unpredictable nature. It breaks out of a lot of the tropes it held in the first film. The beginning news montage shows the extent of the Collector's killings with hundreds of victims with no connection whatsoever and numerous people still missing. The people are terrified, but it doesn't stop teens from being teens. The mass club kill scene is one of my favorite in any horror film because it's over the top, impressive, and a little funny. Instead of the film taking place in one building like the first, it bucks tradition and takes it right to the Collector's doorstep. His place is a labyrinth of insanity and horror with a dash of culture. We get to see how he lives his day to day life torturing people, creating his works of art, and completing his collection in an almost banal way. His artwork is depraved and macabre, comprised of rearranged human bones, limbs, and skin in different combinations. He has people tortured so extremely that they either resemble animals more than humans to protect his home or are devoted to him over any sort of self preservation. Parts of his lair resemble a conventional collector's extensive collection with art, books, and animals, living and dead.


Arkin and the police team have to navigate the Collector's territory where anything could be a trap. Although the public places and house he rigs are impressive, it's nothing compared to his own home where he has had years to cultivate his traps. The police officers are mostly paper thin characters that are fodder for the traps and the Collector's creations. Arkin and Elena are the only characters to root for unless you prefer the enigmatic menace of the Collector. I'm curious about him because he's obviously educated with his knowledge of entymology and biology, but also knows how to fight when needed. It's smart to leave him mysterious, but I wouldn't hate it if they explored his life more. The ending is unexpected, but I wish more movies had been made. The formula lends itself to a variety of innovative kills, a deep rivalry between the hero and villain, and the decent writing to go at least a couple more movies. This series is so underappreciated and it's definitely worth your time.  

My rating: 4/5 fishmuffins

Tuesday, July 11, 2017

Ironside


It's time for Roiben's coronation to be made the offical king of the depraved Unseelie Court. Kaye, who is just getting used to her pixie state after being raised as a human, is having trouble fitting in to the court. During the celebration, Kaye drinks more faerie wine than she should and drunkenly declares her love for Roiben in fae tradition. It's customary for him to give her some sort of trial, an easy one if the love is returned, and she can't see or speak to him until the task is done. His task is for her to find a faerie who can lie, which is completely impossible. Shocked and reeling, Kaye returns to her home and goes into a shame spiral, resulting in telling her mother that she is a changeling. When trying to retrieve her human counterpart, Silarial, queen of the Seelie Court, attempts to ensare Kaye into her plan to take the Unseelie throne from Roiben. How can Kaye hope to beat the ancient queen of the faeries at her own game?

I seriously love this series so much. I have no idea why I waited so long to read it. It combines so many things that I love: dark faeries, realistic characters, twisty plots, unconventional romances, sword fights, and games of wit. While there is one fairly one dimensional villain, both sides of the conflict are largely in shades of grey where both do good and evil for different reasons. How they appear is not usually how they actually are and it has led to many surprising and turns in the series. This installment also merges the characters from Tithe with those from Valiant, but I felt they were underutilized considering an entie book was spent building up their characters. I especially loved returning to Kaye and Roiben and seeing that the events of Tithe didn't magically make all of their problems go away.

Kaye is still lost as a newfound pixie and Roiben still holds all his feelings inside without sharing all of himself with Kaye. Now that Kaye knows what she is, she no longer truly belongs to the faerie world or the human world. Faeries view her as ignorant, socially inept, and someone to play tricks on, as close to human as a fae can get. She sticks to the human world most of the time because she can at least glamour herself to fit in even though she knows she doesn't belong there anymore. As before, she's prone to drowning her sorrows in booze instead of facing them head-on. This paired with her eagerness to be accepted into fae society as Roiben's mate drove her to declare herself to Roiben.

Roiben also has a lot of baggage. He feels similar to Kaye about the Seelie and Unseelie Courts. While the depravity and cruelty of the Unseelie Court disgusts him, he has found that the Seelie Court isn't much better after being blind for so long, especially since he has seen his former Queen and former beloved Silarial's true colors. Kaye is his escape from all of it and he didn't want to endanger her by putting a big target on her forehead as someone to torture or kill to get to him. While his reasonings aren't terrible, he doesn't share anything with Kaye. leading to her spiral after he very publicly and soundly rejects her declaration.

Ironside is an amazing end to a strong series. I was on the edge of my seat for much of the end since I couldn't figure out how Roiben and Kaye would get out of their predicament. The clever thinking and faerie logic that leads the story in unexpected places is unparalleled. Holly Black is the queen of faerie stories as far as I'm concerned and I can't wait to read The Cruel Prince when it comes out. She always writes unexpected stories with engaging characters and I will read every book she writes, especially if it's in the fae world.

My rating: 5/5 fishmuffins