Showing posts with label classic. Show all posts
Showing posts with label classic. Show all posts

Sunday, November 12, 2017

Horror Movie Mini-Reviews: The Bad Seed and Night of the Hunter

* The Bad Seed


Rhoda Penmark is an angelic, sweet little girl until she doesn't get what she wants. Her mother starts to catch on to her deceptive ways when Claude, a boy at her school, dies in a seemingly tragic accident. I had seen this movie years ago and it's an amazing watch. The entire thing is set up like a stage play and takes place around Rhoda's house and the yard just outside. All of the information is conveyed through conversation between characters, but Rhoda's actions are no less chilling than if they were full view of the audience. Her failure to understand right from wrong and her charming facade make the stories believable. It's even more disturbing that she has so many people under her thrall when she would kill to get what she wants. Patty McCormack does a phenomenal job oscillating between enraged and sweet


Two other women give the film emotional weight: Rhoda's mother Christine and Hortense Daigle, Claude's mother. Christine starts out happy and healthy, but rapidly deteriorates emotionally when she realizes the truth about her child. On one hand, her little girl deserves protection and love and on other, Christine has a responsibility to stop her and save others Rhoda would kill. It tears her up inside, especially when she finds out her parentage isn't what she's been told all her life. Hortense is a complete mess after her son died. Multiple times, she shows up at the Penmark house, sloppily drunk and full of questions and stories. This role could have very easily been overacted or badly acted, but Eileen Heckart makes Hortense's pain heartbreaking. Although the scenes are uncomfortable and outside of social norms, she's doing whatever she can to cope and find out what happened to her son.


The Bad Seed is film that stays with you. This murderous intent and lack of emotions behind an angelic smile are absolutely chilling. The scene that encompasses Rhoda is when she's set fire to Leroy and plays Au Claire de la Lune on the piano faster and louder to drown out the ensuing chaos. For a film entirely dependent on dialogue, the performances are all strong and well done. The weakest part of the film is the ending due to the Hayes Code, which basically didn't allow the true ending of the play. The ending undermines Rhoda's character and the curtain call undermines the tone of the entire film.

My rating: 4.5/5 fishmuffins

* Night of the Hunter


Siblings John and Pearl are shown where the $10,000 their father Ben stole is right before he's carted off to jail to be hanged. Reverend Powell shares a cell with Ben and weasels his way into the family when he gets out to find the money. Night of the Hunter is a realistic movie with dark fairy tale elements from the point of view of children. John is older than Pearl and sees things she doesn't, like the local children singing a cruel song about their father and the danger in Rev. Powell. He has to step in as an adult to protect his sister and himself when no adult will intervene. Rev. Powell is incredibly adept at manipulating adults with his charisma and his shield of religion. He has a relaxed air about him in every situation because he's completely sure things will go his way. John's defiance infuriates him like no other.


The other aspects that make this film memorable are Rachel Cooper and the beautiful cinematography. Rachel is a harsh, stern woman who takes in essentially stray children. She uses religion to strengthn the children's moral compass and bring them in as a family, counter to the reverend. While he would kill a woman for sexual interest in men, Rachel understands one of her oldest and reacts with love. One scene encompasses these difference. When he is stalking them in the night, Rev. Powell sinces the hymn Leaning on the Everlasting Arms. Rachel joins in harmony while she sits vigil with her shotgun to protect her children, singing the same song with very different meaning. The look of the film is gorgeous with deliberate use of shadow and light. The scene where the children's mother is discovered in her car underwater is hauntingly beautiful. The look enhances the fairy tale and horror atmosphere.



Night of the Hunter is a film I didn't expect and will revisit in the future. The view of children was especially unexpected because so often children aren't treated as capable. This film treats children as real people trying to overcome impossible obstacles. The music used also creates and sustains the atmosphere, especially Pearl's lullaby in the journey down the river with her brother. The only weird part of the movie is the almost slapstick quality of physical fighting scenes that are deadly serious. It lightens the mood and perhaps shows that children don't truly know what danger they are in. Highly recommended.

My rating: 4.5/5 fishmuffins

Sunday, October 16, 2016

Horror Movie Mini-Reviews Classic Edition: House on Haunted Hill, The Cabinet of Dr. Caligari, and The Curse of the Cat People

* House on Haunted Hill (1959)


An eccentric millionaire invites five strangers to his wife's party where they will be locked in a haunted house with no electricity and no way to communicate with the outside world for the night. IF they survive the night, they will receive $10,000. House on Haunted Hill is clever film that features Vincent Price at his best. As Frederick Loren, he is perfect as a controlling, jealous man set out to outsmart his greedy but beautiful wife. The first half of the film implies that the house is haunted with chilling figures and some unintentionally funny moments. The second half of the film is completely different. The plot has twists and clever plans that have nothing to do with the supernatural. I was very impressed with this classic film.

My rating: 4/5 fishmuffins

* The Cabinet of Dr. Caligari


Dr. Caligari and his somnambulist are a popular exhibit at the local fair. When murders go on at night that all match the same perpetrator, suspicion is cast upon them. This film is gorgeous. The biggest impression I had was the visual aspects because of the surrealistic backgrounds and set pieces. Angles are  more extreme than expected. The sets are asymmetrical and odd, giving an unsettling but whimsical quality to the film. The uses of light, shadow, drawn backgrounds, and amalgamation of different time periods make it an artistic landmark. The only part that I didn't like was the frame story. It overly complicated the plot unnecessarily. Other than that, it's a unique and beautiful film.

My rating: 4/5 fishmuffins

* The Curse of the Cat People


Amy is a lonely girl who struggles relating to kids her own age when she meets a lonely old woman and an imaginary friend that's more real than her parents think. This film is the sequel to The Cat People, but there are no cat people and it only shares a couple of characters. Everything else is completely different. It has a beautiful fairy tale quality to it, kind of like Alice in Wonderland. Amy is the curious little girl meeting fantastical characters in old houses covered in ivy and receiving fantastical gifts. The horror element doesn't really come in until the end in a hateful woman driven to the brink who blames an innocent girl for her mother's dementia. Some of it may be a little cheesy, but it's dark Disney feel and stunning visuals made me glad I took a chance on it.

My rating: 4/5 fishmuffins

Saturday, October 8, 2016

Horror Movie Mini-Reviews Classic Edition: The Bride of Frankenstein (1931) and The Phantom of the Opera (1925)

* The Bride of Frankenstein


This film picks up where Frankenstein left off. The monster somehow survived the fire and Dr. Praetorius wants to collaborate with Baron Frankenstein to build the creature a bride. This film is more comical and more cleverly written than the first. We see much more of the creature's humanity: he seeks friendship from practically everyone he encounters and learns to speak. The cinematography is again memorable and striking. The soundtrack plays through most of the film unlike the last film, which only had music at the beginning and end scenes. It's amazing with a gorgeous, sighing theme for the bride and theme similar to his characteristic growl for the monster. I would say it's the most memorable soundtrack of any of the Universal Monster films.


Although the cast is dominated by male characters, the female characters shine. Despite the fact that she only has a few minutes of screen time, my favorite part of the film is the Bride. Even though she can't speak and even though she was created for a specific purpose, the Bride doesn't allow herself to be bullied. She makes it clear that she doesn't wish to be anywhere near the monster and that she prefers her handsome creator. Baron Frankenstein's wife Elizabeth is even much more confident in this installment. She doesn't allow the dominating Dr. Praetorius control her as he controls her husband. This is a complete change from the first fim where she was merely a one dimensional weak waif and a damsel in distress to deepen the conflict between her husband and the monster. I love this film from beginning to end partly as a very early example of a feminist horror film.

My rating: 5/5 fishmuffins

* The Phantom of the Opera (1925)


Erik is the Phantom of the Paris Opera House, living underneath it and creeping around its secret passages. He taught soprano Christine Daae all she knows and will do anything, even murder, to get her into lead roles. The Phantom of the Opera is one of my favorite stories and the silent version is one of the most faithful adaptations I've ever seen. Once I got used to the over the top acting, I quite enjoyed the film. The acting is so different than the modern style because emotions have to be overexaggerated to convey the right emotion. It leads to a few unintentionally funny moments like the ending where the Phantom is cornered by an angry mob. He holds up his hand as if he has some sort of weapon and then when the crowd stops, he shows his empty hands. Comedy gold.


The scope of this film is huge and incredibly impressive for the 1920's. The sets are gorgeous. The costumes are detailed. It feels like the French opera because of the quality of the sets and the sheer number of dancers, singers, workers, and the vast crowd. I was surprised that parts of the film have color. The masquerade party scene and pretty much any scene where Erik wears the Masque of the Red Death costume is in color. Even the black and white parts are tinged with different colors to enhance the mood. I especially liked the blue for the night scenes. My favorite part of the film is Lon Chaney. He's perfect as the deranged Phantom plus he created his own makeup using innovative techniques. The Phantom of the Opera is definitely worth your time.

My rating: 4/5 fishmuffins