Showing posts with label historical. Show all posts
Showing posts with label historical. Show all posts

Wednesday, May 20, 2020

The Nightingale (2019)


* major spoilers *

In 1825, Clare Carroll lives in an English penal colony located in Australia working as a servant for a British military unit. Due to her beautiful singing voice, she is called upon to entertain and serve upon rowdy soldiers. While it looks to others that she gets preferential treatment, Lieutenant Hawkins treats her cruelly behind closed doors and dangles a promised letter of freedom for her and her family to keep her subservient. When his authority is threatened, Hawkins does the unthinkable, leaving an injured and enraged Clare to seek revenge.


The Nightingale is a brutal film that has several scenes of sexual assault, murders of children, and other acts of violence. Although it may not be for all audiences, the portrayals of rape are never meant to titillate. Each one is filmed to show the point of view of the woman and not to objectify her. Many claim this film isn't horror because it's a historical drama, but I argue that the horrific acts done by privileged men with bruised egos definitely classify it as horror. This also makes it incredibly relevant to modern times.


Clare Carroll does what she can to survive throughout the film and stays within the realm of reality. She never becomes a killing machine or supernaturally capable. As a servant for most of her life, weaponry and self defense aren't high on her skills list. However, her sheer determination for revenge takes her extremely far beyond what is expected of her because her life is essentially over when her husband and child are murdered in front of her. Lieutenant Hawkins's word will always be taken as fact above her own no matter the evidence as she saw when she tried to report the murders. Even before the murders, Hawkins raped her whenever he wanted because he knew no one would believe her because of her status as a convict and his own privilege as an officer. The authorities are on the lookout to send her to an even worse penal colony for the rest of her life because she said no to a man in power. Clare is far from perfect and makes many mistakes along the way, including showing the racism towards the Aboriginal people of the time.


Billy is an Aboriginal man Clare hires to guide her through the Tasmanian wilderness. Through him, the audience sees how the English have treated his people, stealing their lands, murdering them indiscriminately to the point of genocide, and destroying their culture. To Clare, this man is lower than an animal and she fears for her safety in his presence until they reluctantly get to know each other. When they share about each other's experiences, they see how similar they have been treated by the English. Billy's true name is Mangana and all the men in his tribe were murdered during colonization. He is essentially homeless, pushed to the edges of society, and works when the English deign to hire him as a guide. At the end of their journey, he would have no recourse if they refused to pay him or tried to murder him. The English have taken fundamental things from both of them by dehumanizing and enslaving them. They have also created a hierarchy to pit the Irish convicts and subjugated Aboriginal people against each other. 


Lieutenant Hawkins contrasts with Clare and Billy as the only main character with societal and political power. He represents all of their problems as a high ranking colonist that perpetuates the inhuman treatment of non-English people and genocide in addition to abusing his power for selfish gains. Everything is going well for him until he's passed over for a promotion he feels he deserves. Instead of accepting gracefully and perhaps improving his leadership for next time, Hawkins decides to traverse through the dangerous wilderness at a breakneck pace to speak directly to the man in charge and make his case. This is the only situation he couldn't kill or rape someone to solve his problem because the defiant person is above him in the hierarchy. His solution is to force those lower than him to go on a treacherous journey where he rapes, murders, manipulates, on his own quest for the promotion he thinks he deserves. Unfortunately, it's at the expense of many others and the example of yet another privileged. mediocre white man who can't take no for an answer. 


At the climax of the film, both Clare and Mangana use their culture, the thing the English tried so hard to destroy, to strike back at Hawkins. At the beginning of the film, Clare is commanded to use her voice for the enjoyment of English officers and sing English folk songs. Hawkins even goes further and demands a special song of his choosing in private that precedes assault. To her child and husband as well as on her journey for revenge, she sings traditional Irish songs in Gaelic. When Clare finally confronts him right in front of the officers he hopes to gain a promotion from, she sings an impassioned song in Gaelic just after accusing him of rape and murder. Although it would be satisfying to see her kill him, this form of revenge is more realistic and more meaningful. It throws her culture in his face and weaponizes the voice he always forced her to use to please her oppressors. Mangana, on the other hand, puts on his tribe's warpaint, attacks Hawkins in the middle of the night while he sleeps, and kills him. He escapes seriously injured. He and Clare celebrate their victory such as it is. It doesn't do much to change the oppressive English force and Billy is most likely going to die, but they did what they were able to and achieved revenge.


The Nightingale proves hard to watch and isn't an enjoyable film. However, it's an important film that sheds light on the background behind racism and bigotry indigenous people are still being treated with today. All over the world, there are similar stories of genocide and enslavement. I was pleased to find out that Jennifer Kent worked closely with Aboriginal Elders of Tasmania to portray their culture in the most respectful and accurate way. Clare's story is very relatable today to women fighting against established, privileged men in power who are still given more of the benefit of the doubt by wider society. I highly recommend this film. Every aspect of it is well made and doesn't lag with the long run time. I was riveted while angry and sad throughout the ordeal.

My rating: 5/5 fishmuffins

Saturday, July 15, 2017

A Flame in the Mist


Mariko, 17 year old daughter to an esteemed samurai and a favored family, has no illusions that she is to marry the emperor's son to benefit her family and their position. Her convoy is attacked by a gang of thieves called the Black Clan leaving her the only survivor. After killing an assailant and stealing his clothing, Mariko chops off her hair and disguises herself as a boy  to investigate the Black Clan gang. She gets closer than expected when they kidnap her and recruit her into the bottom rung of their ranks with the abusive treatment and gruelling work to prove her loyalty. She takes to her new life, makes friends, and even falls in love, but it's all getting in the way of her one true goal: revenge.

Conceptually, a retelling of Mulan sounds like a great idea. However, the characters, the worldbuilding, and the writing are so uneven and inconsistent that it fell apart for me. So much about Mariko doesn't make sense to me. She feels like her potential is squandered as a woman only meant for the feminine arts, marriage, and raising children, which makes sense. However, she has disdain for her entire gender and sees herself as above it. I hate the "not like other girls" trope because it's meant to make the main character seem so special and also put down other girls and stereotypically feminine things. It's annoying, overdone, and a lazy way to make the character stand out. Mariko suddenly adapts to living as a homeless person and as a Black Clan trainee. I find it hard to believe that someone pampered their whole life wouldn't complain a little bit or not know what to do in that situation. She's also the inventor of the smoke bomb and the shuriken, which plays into her being super special. The smoke bomb is used in battle without even being tested first, putting herself and her crew at risk. Her skill with the shuriken is suddenly perfect with no training or practice at all. I couldn't suspend my disbelief enough for a lot of her behaviors and accomplishments.

Mariko contradicts herself constantly. She's inept at so many things, but delusional about it. She claims to hate "feminine" emotions (as if boys aren't emotional), but her emotions control her actions most of the time. Whenever she feels self concious or judged by her appearance, she dismisses it as being weak and feminine. She puts on a calculated act that would work if every one of her later actions didn't contradict it, usually accompanied by explosive emotion of some kind. She pats herself on the back for "infiltrating" the Black Clan base when she tried to escape numerous times and only stayed because she was drugged. In her head, she strives to be samurai-like and virtuous, but she turns around and constantly lies and steals without recognizing how counter to her views it is. So many of her stupid decisions should have left her maimed or dead due to her lack of planning, emotional instead of intellectual motivation, or the need to prove herself. Mariko is definitely flawed, but she's also not likeable and not someone I would want to root for.

The world is set in rural Japan. For most of the book, I thought it was more of a historical retelling outside of fantasy, but there are a few instances of magic. The magic system is  never explained at all. I thought maybe she was mistaken or describing things weirdly, but the one character who uses magic seems woefully out of place in this otherwise historical setting. The Black Clan members open up to Mariko way too soon and don't guard against her despite being a successful and skilled gang that would know she might turn on them if given the opportunity. The writing is a bit clunky and tells a lot rather than shows, as evidenced by Mariko's behavior. She says and thinks so many things that are shown to be contradictory to what actually happens. The one part of the book I liked was how the two love interests resent their romantic feelings and try to work against them. Other than that, A Flame in the Mist was a chore to get through with the numerous problems I had with Mariko and her internalized misogyny plus the leaps of logic in the rest of the story. I won't read any more of this series, but I bought her previous series that I hope doesn't suffer from these same problems.

My rating: 1.5/5 fishmuffins